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FÁBIO - LSD / RELOGINHO
7" (TO BE AVAILABLE THE 15TH DECEMBER) GROO0115S 1968, in the Brazilian dictatorship, FÁBIO released
this psychedelic gemm |
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THE THUNDERBEATS - 7" GROO0115EP TO BE OUT SOON!!!! |
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LOS TONES - Psychotropic
GROO046LP Psychotropic is Los Tones debut album, released on Vinyl through Portuguese garage label Groovie Records & CD through Off The Hip Records, Melbourne. Mixed and produced by Owen Penglis of Straight Arrows in only a few days out of Owen’s Kings Cross studio & mastered by Mikey Young of Eddy Current Suppression Ring. The record sees the boys continue their garage rock calamity with some subtle hints of early psychedelia & surf rock. Psychotropic features Los Tones debut single Buchanan Hammer and follow up Ordinary Man. We are now psyched to release the title track off the record “Psychotropic”. Los Tones formed in early 2013 from the ashes of Sydney bands, Mother & Son, La Mancha Negra & Glitter Canyon. All 4 members have similar influences spanning from early 50’s RNB, 60’s guitar rock, to modern outfits such as The Black Lips & Night Beats. Psychotropic takes the listener on a short flashback in time,
a fast-paced slathering of guitar driven garage gems. Their previous
song releases have had plenty of air play in Australia on Triple
J & Fbi Radio, as well as overseas, which has resulted in
the band opening for acts such as Guitar Wolf (Japan), Los Coronas
(Spain), Night Beats (USA), Mark BBQ Sultan(CAN). They will be
launching the record with a month-long European tour throughout
October, ending with a hometown Sydney Launch on Halloween Eve. |
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BRAZILIAN
NUGGETS- BACK FROM THE JUNGLE VOL 3 LP |
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NEW
NEW NEW NEW NEW NEW !!! TO BE OUT EARLY JUNE FOR GROOVIE RECORDS PARTY!! |
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NEW
NEW NEW NEW NEW NEW !!! THE HIGHSPEED V- DEMENTED R&B LP GROO043LP Although they existed for only a year, the Highspeed V made enough of a mark on Stockholm’s pioneering neo-garage scene for their name and music to live on several decades later. Along with the Livingstones and the Wylde Mammoths the Highspeed V were a local ‘second wave’ outfit, forming in the Spring 1986 as a combination of experienced players and newcomers to the garage punk circuit. Bass-player/vocalist Jens Lindberg and harmonica cat Henrik Orrje both came from the notorious Crimson Shadows, a first-wave group whose story and recordings can be found on a recent Groovie Records sampler. ‘Crimson’ (as they were known locally) folded in March ’86 after two outstanding 45s and a series of alcohol-fuelled concerts, the last of which ended with a band member getting beaten up by the police. To us young fans, Crimson’s falling apart seemed a serious blow to the whole scene, but we were happy to soon learn otherwise. During the preceding year the Stockholm underground had spawned numerous young moptops who lived by Pebbles anthems and Back From The Grave 3-chord grunge, and who patterned their look on Sunset Strip ’66 rather than the familiar British mod style. In such a thriving milieu the split-up of the great Crimson Shadows became a mere bump in the road, as new bands and new horizons emerged. This LP brings all the HIGHSPEED V recordings along with some unreleased demos. A insert with rare photos, full story of Stockolm neo-garage scene and family tree by Patrick Lundborg, Author of The Acid Archives and Psychedelia books. SIDE A SIDE B |
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SERGUEI - PSICODELICO
1966-1975 LP Sérgio Augusto Bustamante was a flight attendant. He flew by the Southern Cross, Panair and Varig. In the sky, above the clouds, he used to daydream about Elvis. One day, he came down from the heights and he added a "u" to the Russian name Sergei, which he took out from a friend. He put on his boots and with them he embarked in an exciting trail of Rock’n’ Roll. Like a dreamer, he let emerge in all its fullness the figure of a rebellious, argumentative, naive and, above all, authentic character. His true self, Serguei. With his colorful clothes, long hair, red contact lenses, and in his hands, the hippies’ flag of peace & love, the anti-commercial Serguei, through several decades, carried on his back the weight of a public image much bigger than the work he was able to produce. Marginalized by option, Serguei tried psychedelia, tropicalism, and even Brazilian folk music without, however, settling down in any musical style. Between 1966 and 1975, which correspond to his musically bolder period of time, his work materialized erratically through records released sporadically, which succumbed in the presence of the singer’s strong image. Archetype of Keith Richards rocker’s style but without the drugs (for many!), Serguei was just a caricature, whose work was just a prop. "I've never been recognized, few people give me value," he told to the magazine Pop in April 1978. Despite his short adventure with singer Janis Joplin (in the summer of 1970 in Rio) has always been the most prominent reason in articles about him, were the records he released between the years 60 and 70 that attracted the attention of collectors and of people who have special appreciation for rock produced at that time .. Serguei self titled “psychedelic” long before everyone. He sang his hallucinations, found someone from alpha centaur and went in search of peace, from sunrise to sunset. |
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THE SKEPTICS - BLACK,
LONELY & BLUE - LP - LIMITED EDITION Chances are, if you picked this record, you know what you're headin' for. If you don't, let me tell you this; you'd better gear up for an unhealthy dose of raw garage punk. But what makes this band all so different from any other garage punk outfit out there, I hear you say? Well, maybe it's the fact that the band doesn't fuck around with superfluous crap and certainly manages to keep it simple & efficient. That could be explained by the fact that what is now a full-blown band (well, a three-piece to be exact), started as a one-man project in a dirty garage somewhere (OK I actually don't know WHERE it started but I assume it's a garage). So maybe Bart (Vox & guitar) was limited by his ability to play all the instruments back then and it showed in his compositions, but most likely, he just knows how to write a good garage song! But don't think that the Skeptics went all fancy 'cuz Bart got himself a real band (that's Kristal on bass & vocals and Xavier on drums). The songs sound as vicious as ever and the formula stays the same, thick fuzz, skin bashing, gnarly vocals & straightforward riffs. And yet, we're led to believe that those garage-heads dig stuff other than their 60s punk comps if we're to listen to their fuzz-driven rendition of Chrissy Zebby Tembo's Troubemaker. And I gotta say, that's another point for the Skeptics, cause who seriously wants to hear another cover of Wildman? Anyway, I'm not gonna go into much more details about the sound of the Skeptics cuz if you're reading this, the record can't be that far and you should just give it a spin instead of wasting your time with my rambling. Christophe -Bananas Magazine |
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OS PONTAS - SURF MONSTRO
7" EP Os Pontas represent the best of the instrumental Garage Soul
made in Brazil these days. Heavy Carton delux edition, oldschool sleeve glued backflip
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QUARTETO NOVA ERA -
APOLO/VIAGEM NO TEMPO/DE REPENTE Exclusive repress on Groovie Records, with the suport of the
founder band member Chico Aguiar. Heavy Carton delux edition, oldschool sleeve glued backflip |
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THE SOUND REASONS - TILL
THE END OF TIME/IF I CARE/I WALK WITH MY SHADOW - GROO010EP It defied reason. Forming a band in order to raise from the dead a short, obscure musical period of lawlessness between 1965-67, in a day and age of predictable, artificial and uninspired "music". Coming from the 4 corners of LA County, The Sound Reasons got it together. Locals began seeing where it was at, because, every performance they saw, the boys brought the thunder and lightning down in the form of a hip shaking, pounding, jangly, fuzz drenched soundscape.To the Sound Reasons, music is THE THING with no artificial ingredients, and real SOUL. With the Sound Reasons, Rock and Roll, really, is alive and well. For this band, the only thing that counts is getting it tight, out of sight and nailing the elusive SOUND. This debut release is sure to turn your party, cookout, or freakout ON because these guys have the stuff. The stuff that defies Reason! Heavy Carton delux edition, oldschool sleeve glued backflip
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LOS TONES - BUCHANAN HAMMER/GONE
AWAY GROO011S Sydney's garage
quartet Los Tones are proud be releasing their debut 7" Vinyl
Buchanan Hammer/Gone Away though Portuguese Garage Label Groovie
Records this September. www.soundcloud.com/los_tones |
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THE
FUTURE PRIMITIVES INTO THE PRIMITIVE GROO039LP Cape Town didn’t know what hit it when The Future Primitives formed in late 2011. From the first strum, this feral three-piece attacked in true garage style with an unmistakable rockabilly attitude mixed with an array of psychedelic leanings drowned in surf-drenched guitar. The Future Primitives alter between old and new, blending and blurring the lines between the two, bending the sound into a shape of its own. South Africa has a small but rich history in garage music (The A-cads, The Gonks, Powerage, The Makeovers etc.) and a fantastic art scene, while being famous for exports such as Distict 9 (the film) and Die Antwoord (hip hop crew)... From today, the wind will blow in another direction... three misfits from Cape Town are hitting up straight from their dark rehearsal room into the clubs where all the cool kids go to change the face of South Africa’s music forever…Feedback Orgies. Fuzz Guitar. Direct in Your Face Stomping. Stupid Primitive Drum Beats and Desperate Futureless Screams. This is The Future Primitives. Their name hints at a contradiction that can be heard in their sound as the recordings are stripped of all technological advances, using analogue gear and minimal microphone setups to record live to tape. To them, it’s more about capturing a feeling. Into The Primitive |
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THE BARON FOUR - She Said
Yeah/5 TO 4 - 7" |
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THE ROUTES - INSTRUMENTALS
- INCLUDES A DIGITAL CARD FOR DOWNLOAD REVEREND BEAT-MAN (Master Of Desaster)
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allrights reserved - groovie records 2014
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